1
00:00:11,959 --> 00:00:15,750
ible by
HOME BOX OFFICE

2
00:00:15,750 --> 00:00:19,917
A Division of TIME WARNER
ENTERTAINMENT COMPANY, L.P.

3
00:02:04,709 --> 00:02:07,041
( clearing throat )

4
00:02:11,959 --> 00:02:15,458
DAMN, THIS HOUSE
IS COLD.

5
00:02:22,041 --> 00:02:25,417
SHIT, HATTIE, IT'S LIKE
A GODDAMN ICEBOX.

6
00:02:26,500 --> 00:02:29,084
WELL, NO WONDER.

7
00:02:29,084 --> 00:02:30,417
GIRL,
ARE YOU CRAZY ?

8
00:02:30,417 --> 00:02:34,959
WE LIVE IN THE DESERT,
IT GETS COLD AT NIGHT.

9
00:02:34,959 --> 00:02:38,417
YOU PLAN ON
SLEEPING ALL DAY ?

10
00:02:38,417 --> 00:02:42,542
I WAS PLANNING
TO GET ME SOME BREAKFAST
BEFORE NIGHTFALL.

11
00:02:42,542 --> 00:02:46,166
C'MON, BITCH,
GET YOUR LAZY ASS UP.

12
00:02:46,166 --> 00:02:50,042
COME ON, NOW, THIS AIN'T
THE OLD FOLKS HOME.

13
00:02:51,458 --> 00:02:55,167
HATTIE.

14
00:03:01,834 --> 00:03:02,834
HATTIE ?

15
00:03:12,500 --> 00:03:19,209
HATTIE ?

16
00:03:19,209 --> 00:03:22,667
GETS
DUMPED BY A GUY,
SHE GETS A PUPPY.

17
00:03:22,667 --> 00:03:26,417
SO NOW, SHE'S GOT
LIKE 15 DOGS

18
00:03:26,417 --> 00:03:28,250
THEY'RE ALL MALE,
THEY'RE ALL HUGE,

19
00:03:28,250 --> 00:03:31,209
AND THEY SIT THERE AND WATCH
WITH THEIR TONGUES HANGING OUT

20
00:03:31,209 --> 00:03:32,583
WHILE I WORK
ON HER.

21
00:03:32,583 --> 00:03:34,083
IT'S LIKE BEING
IN SOME LIVE SEX SHOW

22
00:03:34,083 --> 00:03:37,417
FOR ASIAN BUSINESSMEN
AND FRAT BOYS.

23
00:03:37,417 --> 00:03:41,041
WHICH I ACTUALLY
DID FOR A WHILE,

24
00:03:41,041 --> 00:03:43,625
BACK IN THE '80s,
TO MAKE SOME MONEY.

25
00:03:43,625 --> 00:03:47,625
I GOT THIS GREAT THING GOING
WITH PING-PONG BALLS

26
00:03:47,625 --> 00:03:49,875
YOU'D REALLY LIKE.

27
00:03:49,875 --> 00:03:52,417
I'M GONNA SHOW IT
TO YOU SOME TIME.

28
00:03:52,417 --> 00:03:54,375
HEY, WOULDN'T IT
BE FUNNY

29
00:03:54,375 --> 00:03:57,000
IF I GOT SOME HEDGE CLIPPERS
AND CUT OFF YOUR DICK ?

30
00:03:57,000 --> 00:03:59,084
WHAT ?

31
00:03:59,084 --> 00:04:01,625
DO ME A FAVOR, OKAY ?
DON'T READ THAT SHIT
IN FRONT OF ME.

32
00:04:01,625 --> 00:04:02,917
YOU GAVE IT TO ME.

33
00:04:02,917 --> 00:04:04,500
YEAH, COME ON,
I'M LATE.

34
00:04:04,500 --> 00:04:06,333
I'M AT THE PART
WITH THE DOLL.

35
00:04:06,333 --> 00:04:08,041
( male )
WHY IS YOUR DOLL ANGRY ?

36
00:04:08,041 --> 00:04:10,291
BECAUSE
SHE GOT RAPED.

37
00:04:10,291 --> 00:04:12,458
REALLY,
BY WHO ?

38
00:04:12,458 --> 00:04:14,375
BY YOU.

39
00:04:14,375 --> 00:04:16,792
BRENDA, DO YOU KNOW
WHAT "RAPED" MEANS ?

40
00:04:16,792 --> 00:04:21,001
IT MEANS SHE WAS FORCED
INTO SEXUAL INTERCOURSE
AGAINST HER WILL.

41
00:04:21,001 --> 00:04:24,041
IT'S SO COOL,

42
00:04:24,041 --> 00:04:26,625
YOU'RE OBVIOUSLY DOING IT
TO SCARE 'EM INTO
LEAVING YOU ALONE, RIGHT ?

43
00:04:26,625 --> 00:04:28,625
WHAT DO YOU WANT FROM ME ?
I WAS EIGHT.

44
00:04:28,625 --> 00:04:29,917
DID IT WORK ?

45
00:04:29,917 --> 00:04:31,208
NO, IT DIDN'T WORK.

46
00:04:31,208 --> 00:04:33,000
I JUST GOT A WHOLE
NEW LEVEL OF SCRUTINY

47
00:04:33,000 --> 00:04:34,542
BY A WHOLE DIFFERENT
SET OF VULTURES,

48
00:04:34,542 --> 00:04:35,875
ONLY THIS TIME
THEY WERE WOMEN.

49
00:04:35,875 --> 00:04:38,084
I'M LEAVING,
YOU STILL WANT A RIDE ?

50
00:04:51,792 --> 00:04:53,583
YOU ALRIGHT ?

51
00:04:53,583 --> 00:04:55,417
YES, I'M FINE.

52
00:04:55,417 --> 00:04:57,500
WHAT ARE YOU
DOING TODAY ?

53
00:04:57,500 --> 00:05:01,625
AH, WELL...
THE CABINETS,

54
00:05:01,625 --> 00:05:03,750
I'M GONNA TRY
TO ORGANIZE THE CABINETS.

55
00:05:03,750 --> 00:05:05,750
GOOD.

56
00:05:11,042 --> 00:05:12,458
I'LL BE DOWNSTAIRS.

57
00:05:12,458 --> 00:05:14,750
ALRIGHT.

58
00:05:16,291 --> 00:05:17,333
HEY, BOBBY !

59
00:05:17,333 --> 00:05:18,500
( Bobby )
YEAH.

60
00:05:18,500 --> 00:05:20,375
BRING THE LINCOLN TOWN CAR
AROUND FRONT.

61
00:05:20,375 --> 00:05:22,208
SO, YOU'RE THE OTHER
FISHER BOY, HUH ?

62
00:05:22,208 --> 00:05:24,166
THE ONE FROM
WHERE, OREGON ?

63
00:05:24,166 --> 00:05:25,375
SEATTLE.

64
00:05:25,375 --> 00:05:27,042
RIGHT, WITH
THE HEALTH FOOD THING.

65
00:05:27,042 --> 00:05:28,041
YEP.

66
00:05:28,041 --> 00:05:29,583
I REMEMBER YOUR DAD
TALKING ABOUT YOU.

67
00:05:29,583 --> 00:05:31,417
I'M SORRY TO HEAR
ABOUT HIM, MAN.

68
00:05:31,417 --> 00:05:33,417
HE WAS
A FUNNY GUY.

69
00:05:33,417 --> 00:05:35,792
YEAH ?

70
00:05:37,166 --> 00:05:38,750
NO, YOU DON'T PAY.

71
00:05:38,750 --> 00:05:40,333
DON'T PAY ?

72
00:05:40,333 --> 00:05:41,750
YEAH.

73
00:05:41,750 --> 00:05:43,291
YOUR DAD BURIED MY BROTHER
A FEW YEARS BACK.

74
00:05:43,291 --> 00:05:45,125
IT'S IN TRADE.

75
00:05:48,750 --> 00:05:51,125
MY FATHER TRADED A FUNERAL
FOR OIL CHANGES ?

76
00:05:51,125 --> 00:05:53,000
YEAH,
GUESS SO.

77
00:06:00,834 --> 00:06:02,625
BYE, MOM.

78
00:06:02,625 --> 00:06:04,500
HAVE A GOOD DAY.

79
00:06:12,125 --> 00:06:14,500
SO, WOULD YOU LIKE US
TO TAKE CARE OF

80
00:06:14,500 --> 00:06:16,792
FINDING YOU A CEMETERY PLOT,
MR. JONES ?

81
00:06:16,792 --> 00:06:18,625
YEAH, I DON'T
WANT TO DO THAT.

82
00:06:18,625 --> 00:06:20,083
WOULD YOU LIKE
A DOUBLE PLOT ?

83
00:06:20,083 --> 00:06:21,709
WHAT FOR ?

84
00:06:21,709 --> 00:06:25,834
WELL, ONE FOR YOUR WIFE,
AND ONE FOR YOU.

85
00:06:25,834 --> 00:06:28,208
NEXT TO EACH OTHER.

86
00:06:28,208 --> 00:06:29,959
IT THIS WHAT YOU DO
ALL THE TIME ?

87
00:06:29,959 --> 00:06:31,875
SELL PEOPLE
THEIR OWN GRAVES ?

88
00:06:31,875 --> 00:06:34,083
WELL, YES, SIR,
THIS IS MY JOB.

89
00:06:34,083 --> 00:06:36,125
DON'T TRY TO PULL
THAT SHIT WITH ME, BOY.

90
00:06:36,125 --> 00:06:38,125
I WANT A SIMPLE BOX,
NO FRILLS.

91
00:06:38,125 --> 00:06:41,042
YOU CAN'T TAKE ADVANTAGE OF ME
BECAUSE I'M OLD.

92
00:06:41,042 --> 00:06:42,375
I'LL KICK YOUR ASS !

93
00:06:42,375 --> 00:06:45,000
JUST A SINGLE PLOT THEN.

94
00:06:48,250 --> 00:06:50,333
NO, DOUBLE PLOT.

95
00:06:50,333 --> 00:06:51,709
SHIT.

96
00:06:54,542 --> 00:06:57,375
WILL YOU WANT MRS. JONES
PREPARED FOR VIEWING ?

97
00:06:57,375 --> 00:06:58,875
YES, I WANT
TO SEE HER.

98
00:06:58,875 --> 00:07:01,000
BUT I DON'T WANT YOU
MESSING WITH HER NONE.

99
00:07:01,000 --> 00:07:03,166
I DON'T WANT YOU TO CUT HER,
OR STICK HER,

100
00:07:03,166 --> 00:07:05,709
OR PICKLE HER
LIKE AN EGG.

101
00:07:05,709 --> 00:07:08,001
IF YOU WANT A VIEWING
I STRONGLY RECOMMEND--

102
00:07:08,001 --> 00:07:10,959
THAT'S MY WIFE, BOY,
I DON'T WANT YOU TO TOUCH HER !

103
00:07:10,959 --> 00:07:14,250
MR. JONES,
I CAN GUARANTEE

104
00:07:14,250 --> 00:07:16,875
THAT YOU WILL NOT
WANT TO SEE HER,
NOR WILL ANYONE ELSE,

105
00:07:16,875 --> 00:07:18,834
UNLESS SHE'S
BEEN EMBALMED.

106
00:07:18,834 --> 00:07:21,792
I WOULD BEG YOU TO CONSIDER
WHAT YOUR WIFE WOULD WANT.

107
00:07:21,792 --> 00:07:24,166
SHE'S DEAD, FOOL,
DON'T MATTER WHAT SHE WANTS.

108
00:07:24,166 --> 00:07:25,875
WELL, YES, SIR,
BUT...

109
00:07:27,667 --> 00:07:31,625
AFTER DEATH, THE BODY
IMMEDIATELY BEGINS TO DECOMPOSE,

110
00:07:31,625 --> 00:07:33,792
MUCH QUICKER
THAN YOU MIGHT THINK.

111
00:07:33,792 --> 00:07:35,125
THE SKIN BEGINS
TO SEPARATE,

112
00:07:35,125 --> 00:07:36,875
THERE'S QUITE
AN UNPLEASANT ODOR.

113
00:07:36,875 --> 00:07:38,750
SHOULD YOU CHOOSE
TO FORGO EMBALMING,

114
00:07:38,750 --> 00:07:40,834
MY RECOMMENDATION
WOULD BE CREMATION,

115
00:07:40,834 --> 00:07:42,625
AS SOON AS POSSIBLE.

116
00:07:42,625 --> 00:07:47,167
THAT'S JUST
THE WAY IT IS,
MR. JONES.

117
00:07:47,167 --> 00:07:51,208
I DON'T WANT TO BURN HER UP,
I WANT TO SEE HER.

118
00:07:51,208 --> 00:07:54,166
FINE, YOU DO
UNDERSTAND, HOWEVER,

119
00:07:54,166 --> 00:07:57,333
THAT MEANS SHE'LL NEED
TO BE EMBALMED.

120
00:08:00,667 --> 00:08:03,000
I AIN'T PAYING
FOR THAT.

121
00:08:03,000 --> 00:08:05,333
SIR, THE COST
IS MINIMAL.

122
00:08:08,333 --> 00:08:13,375
I WILL WAIVE
THE EMBALMING FEE,
MR. JONES, ALRIGHT ?

123
00:09:02,875 --> 00:09:05,209
THAT WAS A GOOD SERMON,
I THOUGHT.

124
00:09:05,209 --> 00:09:06,083
DID YOU ?

125
00:09:06,083 --> 00:09:07,417
YOU DIDN'T ?

126
00:09:07,417 --> 00:09:09,041
I DIDN'T REALLY
LISTEN TO IT.

127
00:09:09,041 --> 00:09:10,709
( female )
HELLO !

128
00:09:10,709 --> 00:09:12,792
HELLO.

129
00:09:12,792 --> 00:09:14,042
HELLO.

130
00:09:14,042 --> 00:09:15,126
HELLO,
MRS. FISHER.

131
00:09:15,126 --> 00:09:16,709
I'M TRACY BLAIR,
DAVID'S FRIEND.

132
00:09:16,709 --> 00:09:18,042
TRACY.

133
00:09:18,042 --> 00:09:20,458
I KEEP ASKING HIM WHEN
WE'RE GONNA MEET HIS FIANCEE.

134
00:09:20,458 --> 00:09:22,083
DOES SHE GO TO
ANOTHER CHURCH ?

135
00:09:22,083 --> 00:09:23,417
YES.

136
00:09:23,417 --> 00:09:24,917
WHAT FIANCEE ?

137
00:09:24,917 --> 00:09:26,208
TRACY, I TOLD YOU,

138
00:09:26,208 --> 00:09:28,001
JENNIFER AND I HAD
BROKEN IT OFF YEARS AGO.

139
00:09:28,001 --> 00:09:29,209
YOU DID ?

140
00:09:29,209 --> 00:09:31,125
SO THERE'S
NO FIANCE NOW ?

141
00:09:31,125 --> 00:09:33,291
EXCUSE US.

142
00:09:33,291 --> 00:09:36,959
IT'S REALLY A SORE SUBJECT
FOR US ALL.

143
00:09:36,959 --> 00:09:38,166
OW, YOU'RE HURTING
MY ARM.

144
00:09:38,166 --> 00:09:39,875
( male )
RUTH ?

145
00:09:39,875 --> 00:09:41,250
HIRAM.

146
00:09:41,250 --> 00:09:42,458
HOW ARE YOU ?

147
00:09:42,458 --> 00:09:44,208
I'M FINE,
THANK YOU.

148
00:09:44,208 --> 00:09:47,166
HAVE YOU BEEN
COMING TO CHURCH ?
I HAVEN'T SEEN YOU.

149
00:09:47,166 --> 00:09:49,208
I WANTED TO
GIVE US SOME SPACE.

150
00:09:49,208 --> 00:09:52,125
PLEASE DON'T SACRIFICE
ANYTHING ON MY ACCOUNT.

151
00:09:52,125 --> 00:09:54,917
LITTLE LATE
FOR THAT.

152
00:09:54,917 --> 00:09:57,126
I MISS YOU,
CAN I SEE YOU ?

153
00:09:57,126 --> 00:09:58,333
NO.

154
00:09:58,333 --> 00:10:01,083
RUTH, HAVEN'T YOU PUNISHED
YOURSELF ENOUGH ?

155
00:10:01,083 --> 00:10:03,709
SHALL WE GO ?

156
00:10:03,709 --> 00:10:06,209
HI, I'M DAVID FISHER.

157
00:10:06,209 --> 00:10:07,542
HIRAM GUNDERSON.

158
00:10:07,542 --> 00:10:08,709
IT'S NICE TO
MEET YOU.

159
00:10:11,250 --> 00:10:13,208
YOU'RE
THE HAIRDRESSER.

160
00:10:13,208 --> 00:10:14,542
IT'S NICE TO
MEET YOU, SON.

161
00:10:14,542 --> 00:10:15,875
DON'T CALL
ME THAT.

162
00:10:15,875 --> 00:10:16,792
DAVID.

163
00:10:16,792 --> 00:10:18,709
WHAT ?

164
00:10:20,709 --> 00:10:22,959
I'LL GO
GET THE CAR.

165
00:10:22,959 --> 00:10:25,167
NO, I'M COMING
WITH YOU.

166
00:10:25,167 --> 00:10:27,167
IT'S GOOD
TO SEE YOU.

167
00:10:27,167 --> 00:10:29,001
YOU LOOK WELL.

168
00:10:37,208 --> 00:10:39,000
( knocking )

169
00:10:39,000 --> 00:10:41,291
( doorbell )

170
00:10:41,291 --> 00:10:43,084
OKAY, I HEAR YOU, JESUS !

171
00:10:43,084 --> 00:10:45,834
( knocking )

172
00:10:47,834 --> 00:10:49,500
WHO ARE YOU  ?

173
00:10:49,500 --> 00:10:51,083
I LIVE HERE,
WHO ARE YOU ?

174
00:10:51,083 --> 00:10:52,834
I WANT TO
SEE MY WIFE.

175
00:10:52,834 --> 00:10:55,375
OH, I'M SORRY,
WE'RE NOT OPEN YET.

176
00:10:55,375 --> 00:10:57,166
EVERYONE WHO KNOWS
ANYTHING IS GONE.

177
00:10:57,166 --> 00:10:59,209
I WANT TO
SEE MY WIFE.

178
00:10:59,209 --> 00:11:01,126
LOOK, SIR, I'M SORRY, I DON'T
DEAL WITH THE DEAD PEOPLE.

179
00:11:01,126 --> 00:11:02,250
SO, YOU'RE JUST GONNA
HAVE TO COME BACK

180
00:11:02,250 --> 00:11:03,709
WHEN MY BROTHERS
ARE HOME.

181
00:11:03,709 --> 00:11:05,291
BITCH, I DON'T NEED
YOUR PERMISSION.

182
00:11:05,291 --> 00:11:07,959
I'M SORRY, YOU'RE JUST GONNA
HAVE TO COME BACK LATER.

183
00:11:07,959 --> 00:11:09,250
OW, MY FOOT.

184
00:11:09,250 --> 00:11:10,250
WHAT ?

185
00:11:10,250 --> 00:11:12,126
HELP, HELP !

186
00:11:12,126 --> 00:11:14,792
THERE'S A WHITE GIRL TRYING
TO CRIPPLE AN OLD BLACK MAN.

187
00:11:14,792 --> 00:11:16,375
HONESTLY.

188
00:11:18,125 --> 00:11:20,209
LOOK, SIR, YOU CAN'T
GO IN THERE.

189
00:11:27,375 --> 00:11:28,834
HELLO ?

190
00:11:28,834 --> 00:11:31,083
HELLO,
IS ANYONE HOME ?

191
00:11:31,083 --> 00:11:33,542
( Claire )
YES, IN HERE.

192
00:11:37,500 --> 00:11:39,625
WHO'S YOUR FRIEND ?

193
00:11:39,625 --> 00:11:41,667
HELL IF I KNOW.

194
00:11:41,667 --> 00:11:44,250
HIS WIFE DIED
AND HE WANTED
TO SEE HER.

195
00:11:44,250 --> 00:11:46,000
I GUESS SHE ISN'T
READY YET.

196
00:11:46,000 --> 00:11:47,625
HE LOOKED LIKE HE WAS
ABOUT TO KEEL OVER,

197
00:11:47,625 --> 00:11:48,834
SO, I HELP HIM
SIT DOWN,

198
00:11:48,834 --> 00:11:50,167
THEN I HAD TO LISTEN TO HIM
BITCH AND MOAN

199
00:11:50,167 --> 00:11:51,959
ABOUT PUBLIC TRANSPORTATION
FOR FUCKING EVER.

200
00:11:51,959 --> 00:11:53,875
AND THEN HE JUST
LIKE PASSED OUT.

201
00:11:53,875 --> 00:11:56,208
NOW I CAN'T GET HIS
FUCKING HAND TO LET GO.

202
00:11:56,208 --> 00:11:58,126
MAYBE HE DIED.

203
00:11:58,126 --> 00:11:59,166
VERY FUNNY.

204
00:11:59,166 --> 00:12:01,041
NO, HE'S STILL
BREATHING AND FARTING.

205
00:12:03,542 --> 00:12:06,041
CAN YOU HELP ME
PRY HIS HAND LOOSE ?

206
00:12:06,041 --> 00:12:08,001
SURE.

207
00:12:08,001 --> 00:12:09,208
IS NATE AROUND ?

208
00:12:09,208 --> 00:12:11,625
I JUST BOUGHT THIS
FABULOUS ANTIQUE CHEST

209
00:12:11,625 --> 00:12:13,000
THAT WEIGHS A TON.

210
00:12:13,000 --> 00:12:14,959
I'M GONNA NEED A HAND
GETTING IT HOME.

211
00:12:14,959 --> 00:12:16,000
NO, I HAVEN'T
SEEN HIM.

212
00:12:16,000 --> 00:12:18,167
I CAN HELP YOU
MOVE IT, THOUGH.

213
00:12:18,167 --> 00:12:20,709
AH, NO, THANKS.

214
00:12:24,042 --> 00:12:26,001
SO, WHAT,
LIKE, I'M NO GOOD,

215
00:12:26,001 --> 00:12:27,667
'CAUSE THE WHOLE
CABINET MOVING THING'S

216
00:12:27,667 --> 00:12:30,291
JUST FOREPLAY FOR YOU
TO FUCK MY BROTHER ?

217
00:12:30,291 --> 00:12:33,458
NO, I'M JUST NOT INTO
BABY-SITTING HIGH SCHOOL GIRLS.

218
00:12:33,458 --> 00:12:35,125
NO OFFENSE.

219
00:12:35,125 --> 00:12:36,667
LET GO OF ME !

220
00:12:36,667 --> 00:12:39,375
DAMN, WHAT Y'ALL DOIN',
TRYING TO STEAL MY WATCH ?

221
00:12:39,375 --> 00:12:42,166
I OUGHT TO CALL
THE GODDAMN COPS.

222
00:12:42,166 --> 00:12:45,250
WHY ? YOU'RE THE ONE
WHO'S BREAKING AND ENTERING.

223
00:12:47,000 --> 00:12:49,042
LOOK, WE'VE GOTTA
GO MOVE A CHEST.

224
00:12:49,042 --> 00:12:51,792
SOMEONE SHOULD BE BACK SOON
TO LET YOU SEE YOUR WIFE.

225
00:12:51,792 --> 00:12:54,126
HEY, LITTLE GIRL.

226
00:12:54,126 --> 00:12:55,542
WHAT ?

227
00:12:55,542 --> 00:12:58,250
YOU AIN'T
FOOLING NOBODY.

228
00:12:58,250 --> 00:13:00,291
GREAT, THANKS.

229
00:13:00,291 --> 00:13:01,458
I'LL WORK ON THAT.

230
00:13:01,458 --> 00:13:03,750
LOOK, I'LL BE LIKE
ONE MINUTE TO CHANGE, OKAY ?

231
00:13:09,166 --> 00:13:11,083
ARE YOU GONNA BE
OKAY HERE ALONE ?

232
00:13:14,084 --> 00:13:16,500
EVERYBODY'S ALONE.

233
00:13:16,500 --> 00:13:19,126
YOU BORN ALONE,

234
00:13:19,126 --> 00:13:21,166
YOU DIE ALONE,
GODDAMNIT.

235
00:13:32,792 --> 00:13:35,583
I'M SORRY ABOUT
YOUR WIFE.

236
00:13:38,250 --> 00:13:41,084
YOU DIDN'T
KNOW HER.

237
00:13:49,125 --> 00:13:50,500
JESSICA WILCOX ?

238
00:13:50,500 --> 00:13:54,209
I'M NATE FISHER,
NATHANIEL'S SON.

239
00:13:55,959 --> 00:13:59,166
I WONDERED WHY I HADN'T HEARD
FROM NATHANIEL IN QUITE A WHILE.

240
00:13:59,166 --> 00:14:01,750
I HATE THIS.

241
00:14:01,750 --> 00:14:04,500
I HATE THAT I'LL NEVER
SEE HIM AGAIN.

242
00:14:04,500 --> 00:14:06,125
HE WAS SUCH A KOOK.

243
00:14:06,125 --> 00:14:07,417
A KOOK ?

244
00:14:07,417 --> 00:14:09,167
DAD ?

245
00:14:09,167 --> 00:14:11,041
I DON'T THINK ANYBODY EVER
MADE ME LAUGH LIKE THAT.

246
00:14:11,041 --> 00:14:13,125
HE HAD SUCH
A SENSE OF HUMOR.

247
00:14:13,125 --> 00:14:15,001
SO I HEAR.

248
00:14:15,001 --> 00:14:17,250
HE WAS REALLY
PROUD OF YOU.

249
00:14:17,250 --> 00:14:20,250
I'M NATE,
NOT DAVID.

250
00:14:20,250 --> 00:14:22,001
I KNOW WHO YOU ARE.

251
00:14:22,001 --> 00:14:23,959
YOU'RE THE ONE
WHO TOOK OFF.

252
00:14:23,959 --> 00:14:26,125
YOUR FATHER REALLY
RESPECTED YOU FOR THAT.

253
00:14:26,125 --> 00:14:29,542
SAID HE WISHED HE'D HAD THE GUTS
TO DO THAT WHEN HE WAS A KID.

254
00:14:32,792 --> 00:14:34,500
MS. WILCOX,

255
00:14:34,500 --> 00:14:37,792
DID YOU HAVE SOME KIND OF
ARRANGEMENT WITH MY FATHER ?

256
00:14:37,792 --> 00:14:38,959
ARRANGEMENT ?

257
00:14:38,959 --> 00:14:40,542
UH, IN OUR LEDGERS,

258
00:14:40,542 --> 00:14:42,042
SOME OF THE FUNERALS
WERE MARKED DIFFERENTLY

259
00:14:42,042 --> 00:14:43,667
AND YOUR MOTHER'S
WAS ONE.

260
00:14:43,667 --> 00:14:46,583
IT SEEMS MY FATHER SOMETIMES
TRADED HIS SERVICES

261
00:14:46,583 --> 00:14:49,209
FOR PAYMENTS
OTHER THAN CASH.

262
00:14:49,209 --> 00:14:51,417
PLEASE DON'T TAKE
THIS THE WRONG WAY,

263
00:14:51,417 --> 00:14:55,125
BUT CAN I SEE SOME
KIND OF IDENTIFICATION ?

264
00:14:55,125 --> 00:14:57,583
DRIVER'S LICENSE
WOULD DO.

265
00:14:57,583 --> 00:14:59,709
AH, SURE.

266
00:15:05,042 --> 00:15:06,959
LIBRA, HUH ?

267
00:15:06,959 --> 00:15:10,000
I WOULD'VE TAKEN YOU
FOR A CAPRICORN.

268
00:15:12,792 --> 00:15:14,792
YOU DRINK A LOT OF COFFEE
UP IN SEATTLE ?

269
00:15:14,792 --> 00:15:15,917
YEAH.

270
00:15:15,917 --> 00:15:17,500
BETTER BE CAREFUL.

271
00:15:17,500 --> 00:15:20,084
IT'LL GIVE YOU
KIDNEY STONES.

272
00:15:31,375 --> 00:15:32,959
OH, COME ON.

273
00:15:32,959 --> 00:15:34,542
SURELY YOU WOULDN'T
BEGRUDGE YOUR FATHER

274
00:15:34,542 --> 00:15:36,750
SUCH A MINOR
INDULGENCE.

275
00:15:38,250 --> 00:15:40,125
MY FATHER
NEVER SMOKED POT.

276
00:15:40,125 --> 00:15:42,417
NOT IN FRONT OF YOU,
HE DIDN'T.

277
00:15:42,417 --> 00:15:44,001
IT'S THE FINEST ORGANIC,

278
00:15:44,001 --> 00:15:47,250
GROWN UP IN SAN FRANCISCO
BY MY SON.

279
00:15:47,250 --> 00:15:49,250
TAKE IT.

280
00:15:49,250 --> 00:15:52,126
IT'S YOUR FATHER'S
MONTHLY SUPPLY.

281
00:15:58,166 --> 00:16:00,500
HOW IS YOUR MOTHER DOING
WITH THE GRIEVING, DAVID ?

282
00:16:00,500 --> 00:16:01,917
SHE'S FINE.

283
00:16:01,917 --> 00:16:03,042
AS FAR AS
I CAN TELL.

284
00:16:03,042 --> 00:16:05,167
YOU KNOW HER, SHE LIKES
TO SUFFER IN SILENCE.

285
00:16:05,167 --> 00:16:06,291
UH-HUH.

286
00:16:06,291 --> 00:16:09,041
THAT SEEMS TO BE
A FAMILY TRAIT.

287
00:16:09,041 --> 00:16:12,125
YOU KNOW, IT'S GOD'S WILL
FOR US TO LIVE OUR LIVES FULLY.

288
00:16:12,125 --> 00:16:14,458
BREATHING IN THE JOY
AROUND US,

289
00:16:14,458 --> 00:16:16,166
NOT JUST SHOULDERING
THE PAIN.

290
00:16:16,166 --> 00:16:18,875
GOD WANTS YOU
TO BE HAPPY.

291
00:16:18,875 --> 00:16:21,625
I CALL THEM
ENERGY BUNS.

292
00:16:21,625 --> 00:16:23,333
THEY'RE MY OWN RECIPE.

293
00:16:23,333 --> 00:16:24,792
WELL, NOT REALLY,
ADDING THE PEPPERS

294
00:16:24,792 --> 00:16:26,166
WAS SOMETHING I PICKED UP
ON MY HONEYMOON.

295
00:16:26,166 --> 00:16:27,625
HAVE YOU EVER
BEEN TO BRAZIL ?

296
00:16:27,625 --> 00:16:29,084
AH, NO.

297
00:16:29,084 --> 00:16:30,709
OH, MY GOD, BRAZILIANS ARE
THE MOST BEAUTIFUL PEOPLE

298
00:16:30,709 --> 00:16:31,917
ALIVE !

299
00:16:31,917 --> 00:16:33,667
THEY'RE LIKE THESE
FABULOUS MONGRELS

300
00:16:33,667 --> 00:16:36,000
WHO HAVE INCORPORATED
ALL THE VERY BEST ATTRIBUTES

301
00:16:36,000 --> 00:16:38,167
FROM EVERY RACE.

302
00:16:38,167 --> 00:16:40,709
I MEAN, ALL THAT
CROSS-BREEDING, HELLO ?!

303
00:16:40,709 --> 00:16:42,792
I HAD A HALF-BREED MUTT
WHO LIVED TO BE ALMOST 20.

304
00:16:42,792 --> 00:16:44,792
AND THEN I GOT
THIS PURE-BRED CORGI

305
00:16:44,792 --> 00:16:47,417
AND ITS HIPS DISINTEGRATED
BEFORE IT WAS EVEN TWO.

306
00:16:51,041 --> 00:16:52,625
HERE YOU GO.

307
00:16:52,625 --> 00:16:54,917
FUCK YOU,
CHURCH FREAKS.

308
00:16:54,917 --> 00:16:56,792
WELL, ENJOY.

309
00:16:56,792 --> 00:16:58,250
DO YOU COOK ?

310
00:16:58,250 --> 00:17:00,500
I HATE COOKING
JUST FOR MYSELF.

311
00:17:00,500 --> 00:17:03,291
THAT'S THE WORST PART
ABOUT BEING DIVORCED.

312
00:17:03,291 --> 00:17:06,792
THAT AND THE WHOLE
NO REGULAR SEX THING.

313
00:17:06,792 --> 00:17:08,542
DAVID ?

314
00:17:08,542 --> 00:17:10,917
COULD I TALK TO YOU
FOR A MOMENT ?

315
00:17:10,917 --> 00:17:13,001
ALONE ?

316
00:17:13,001 --> 00:17:14,959
EXCUSE US.

317
00:17:20,208 --> 00:17:21,583
WHAT DO YOU WANT ?

318
00:17:21,583 --> 00:17:22,917
RUTH WON'T
TALK TO ME.

319
00:17:22,917 --> 00:17:23,834
I'M WORRIED
ABOUT HER.

320
00:17:23,834 --> 00:17:25,000
I WAS HOPING
THAT YOU COULD--

321
00:17:25,000 --> 00:17:27,417
YOU WERE FUCKING MY MOTHER
WHILE MY FATHER WAS STILL ALIVE

322
00:17:27,417 --> 00:17:29,126
AND NOW
YOU WANT ME TO--

323
00:17:29,126 --> 00:17:30,792
LOOK, I UNDERSTAND
IF YOU'RE UPSET.

324
00:17:30,792 --> 00:17:32,126
UNDERSTAND THIS,

325
00:17:32,126 --> 00:17:34,041
WHATEVER YOU HAVE WITH MY MOTHER
IS BETWEEN YOU AND HER.

326
00:17:34,041 --> 00:17:36,625
BUT I HAVE NO INTEREST
IN HELPING YOU.

327
00:17:46,709 --> 00:17:48,375
TABLE FOR ONE ?

328
00:17:48,375 --> 00:17:50,333
ARE YOU THE OWNER ?

329
00:17:50,333 --> 00:17:51,417
YES.

330
00:17:51,417 --> 00:17:53,209
DID YOU KNOW
MY FATHER...

331
00:17:53,209 --> 00:17:55,000
NATHANIEL FISHER ?

332
00:17:56,125 --> 00:17:58,166
THIS USED TO BE
OUR STOREROOM.

333
00:17:58,166 --> 00:18:00,542
BUT WHEN I FINALLY GOT
A LOAN FROM THE BANK,

334
00:18:00,542 --> 00:18:02,166
I PUT AN EXTENSION
OUT THE KITCHEN.

335
00:18:02,166 --> 00:18:05,458
YOUR FATHER BURIED MY WIFE
SEVEN YEARS AGO.

336
00:18:05,458 --> 00:18:07,709
I HAD VERY LITTLE MONEY
FOR THE FUNERAL.

337
00:18:07,709 --> 00:18:10,542
HE ASKED IF HE COULD HAVE
THIS ROOM AS HIS OWN.

338
00:18:10,542 --> 00:18:12,667
AND THAT WOULD BE
MY SETTLEMENT.

339
00:18:14,834 --> 00:18:17,250
WHAT DID
HE DO HERE ?

340
00:18:17,250 --> 00:18:19,375
I DON'T KNOW.

341
00:18:22,001 --> 00:18:24,208
STAY AS LONG
AS YOU LIKE.

342
00:18:24,208 --> 00:18:26,709
HOW OFTEN DID
HE COME HERE ?

343
00:18:26,709 --> 00:18:28,709
SOMETIMES WE WOULDN'T
SEE HIM FOR MONTHS.

344
00:18:28,709 --> 00:18:31,333
SOMETIMES HE WAS
HERE EVERYDAY.

345
00:19:14,126 --> 00:19:16,041
♪ ( music )

346
00:20:00,209 --> 00:20:03,000
♪ LEAVE YOUR
TEARS BEHIND ♪

347
00:20:03,000 --> 00:20:06,084
♪ COME WITH US
AND CLIMB ♪

348
00:20:06,084 --> 00:20:11,542
♪ THE PLEASURES OF THE JOURNEY
TO THE CENTER OF THE MIND ♪

349
00:20:11,542 --> 00:20:15,875
♪ COME ALONG
IF YOU CARE ♪

350
00:20:15,875 --> 00:20:19,041
♪ COME ALONG IF
YOU CARE ♪

351
00:20:19,041 --> 00:20:24,126
♪ TAKE A RIDE TO THE LAND
INSIDE OF YOUR MIND ♪

352
00:20:24,126 --> 00:20:27,209
♪ BEYOND THE SEAS
OF THOUGHT ♪

353
00:20:27,209 --> 00:20:30,166
♪ BEYOND THE REALM
OF WHAT ♪

354
00:20:30,166 --> 00:20:33,250
♪ ACROSS THE STREAMS
OF HOPES AND DREAMS ♪

355
00:20:33,250 --> 00:20:36,083
♪ WHERE THINGS
ARE REALLY HOT ♪

356
00:20:36,083 --> 00:20:39,500
♪ COME ALONG
IF YOU CARE ♪

357
00:20:39,500 --> 00:20:43,959
♪ COME ALONG IF
YOU CARE ♪

358
00:20:43,959 --> 00:20:48,209
♪ TAKE A RIDE TO THE LAND
INSIDE OF YOUR MIND ♪

359
00:20:48,209 --> 00:20:51,167
( gunshots )

360
00:20:52,667 --> 00:20:55,166
♪ IF ALL OF MANKIND ♪

361
00:20:55,166 --> 00:20:57,959
♪ WOULD TAKE
THE TIME TO JOURNEY ♪

362
00:20:57,959 --> 00:21:01,125
♪ TO THE CENTER
OF OUR MIND ♪

363
00:21:19,458 --> 00:21:20,875
AH, MRS. FISHER.

364
00:21:20,875 --> 00:21:22,959
GOOD AFTERNOON,
NIKOLAI.

365
00:21:22,959 --> 00:21:25,291
I DON'T BELIEVE I'VE HAD
A CHANCE TO THANK YOU YET.

366
00:21:25,291 --> 00:21:28,375
WHEN KROEHNER STARTED PRESSURING
EVERYONE TO CUT US OFF,

367
00:21:28,375 --> 00:21:32,250
MOST OF US OUR SUPPLIERS
JUST ABANDONED FISHER & SONS.

368
00:21:32,250 --> 00:21:34,084
YOU STUCK WITH US.

369
00:21:34,084 --> 00:21:35,750
OF COURSE I STICK
WITH YOU.

370
00:21:35,750 --> 00:21:36,792
HERE.

371
00:21:40,041 --> 00:21:42,084
THANK YOU.

372
00:21:44,209 --> 00:21:46,000
WELL, THESE FLOWERS ARE NOT
GOING TO PLANT THEMSELVES.

373
00:21:46,000 --> 00:21:47,917
SUCH DELICATE SKIN.

374
00:21:47,917 --> 00:21:50,458
YOU HAVE
RUSSIAN COLOR.

375
00:21:50,458 --> 00:21:52,041
I DO ?

376
00:21:52,041 --> 00:21:55,875
YOU DON'T LIKE
THE BEAUTY YOU HAVE ?

377
00:22:01,417 --> 00:22:02,458
THE FRONT DOOR
IS OPEN.

378
00:22:02,458 --> 00:22:04,167
YOU CAN LEAVE
THE FLOWERS INSIDE.

379
00:22:04,167 --> 00:22:06,084
OKAY.

380
00:22:10,208 --> 00:22:13,792
OKAY, THAT  IS WHERE THAT IS
GOING TO HAVE TO STAY.

381
00:22:13,792 --> 00:22:16,083
GOD, THAT SHIT
WAS HEAVY.

382
00:22:16,083 --> 00:22:18,167
YOU WANTED TO HELP.

383
00:22:21,959 --> 00:22:23,959
OH, MY GOD,
IS THIS YOURS ?

384
00:22:23,959 --> 00:22:28,042
UH, NO, THAT'S NATE'S, BUT HE
KEEPS LEAVING IT IN MY CAR.

385
00:22:28,042 --> 00:22:29,291
I LOVE THIS BOOK !

386
00:22:29,291 --> 00:22:31,042
YOU READ IT ?

387
00:22:31,042 --> 00:22:32,375
OH, YEAH, MY FRIENDS AND I
WERE ALL OVER THIS BOOK,

388
00:22:32,375 --> 00:22:34,542
LIKE THREE SUMMERS AGO
BEFORE THEY ALL TURNED INTO

389
00:22:34,542 --> 00:22:37,208
PRETENTIOUS DRAMA NERDS
AND TOTALLY ABANDONED ME,

390
00:22:37,208 --> 00:22:38,542
THANK GOD.

391
00:22:38,542 --> 00:22:41,083
WHAT'S YOUR
FAVORITE PART ?

392
00:22:41,083 --> 00:22:43,333
OH, THEY'RE TOO NUMEROUS
TO MENTION.

393
00:22:43,333 --> 00:22:46,959
WHERE'S THAT PART WHERE SHE
STOPS SPEAKING FOR A MONTH

394
00:22:46,959 --> 00:22:48,917
AND JUST BARKS AT THEM ?

395
00:22:48,917 --> 00:22:50,500
( barking )

396
00:22:50,500 --> 00:22:52,583
( female )
BRENDA...

397
00:22:52,583 --> 00:22:54,083
BRENDA, I KNOW
YOU'RE ANGRY.

398
00:22:54,083 --> 00:22:57,208
( barking and growling )

399
00:22:59,000 --> 00:23:01,625
CAN YOU
TALK TO ME ?

400
00:23:05,083 --> 00:23:07,625
( growling )

401
00:23:13,500 --> 00:23:17,500
YOU KNOW THEY PUT ME IN THERAPY
'CAUSE I STOLE THAT FOOT ?

402
00:23:17,500 --> 00:23:20,709
YEAH, NATE TOLD ME.

403
00:23:20,709 --> 00:23:22,083
GOD, I WOULD LOVE TO GO
INTO ONE OF THOSE SESSIONS

404
00:23:22,083 --> 00:23:23,750
AND JUST BARK...

405
00:23:23,750 --> 00:23:28,001
JUST TO SEE
THE LOOK ON HIS FACE.

406
00:23:31,875 --> 00:23:34,625
SO, DO YOU TOTALLY IDENTIFY
WITH THIS BOOK TOO ?

407
00:23:34,625 --> 00:23:36,209
OF COURSE SHE DOES.

408
00:23:36,209 --> 00:23:38,167
IT'S ABOUT  HER.

409
00:23:38,167 --> 00:23:39,291
WHAT ?

410
00:23:40,834 --> 00:23:43,208
SHE'S CHARLOTTE.

411
00:23:43,208 --> 00:23:45,583
YOU'RE SHITTING ME.

412
00:23:48,625 --> 00:23:51,167
IS HE FOR REAL ?

413
00:23:52,959 --> 00:23:54,166
COMPLETELY.

414
00:23:54,166 --> 00:23:55,959
OH, MY GOD.

415
00:23:55,959 --> 00:23:59,542
THIS IS LIKE MEETING
GANDHI OR JESUS.

416
00:23:59,542 --> 00:24:01,000
DON'T TELL ME...

417
00:24:01,000 --> 00:24:03,001
THE BOOK
SPOKE TO YOU.

418
00:24:03,001 --> 00:24:05,041
LIKE IT WAS WRITTEN
SPECIFICALLY FOR YOU.

419
00:24:05,041 --> 00:24:08,750
WELL, YEAH,
IN A WAY.

420
00:24:08,750 --> 00:24:10,792
HAVE YOU BEEN TO
THE WEBSITE ?

421
00:24:10,792 --> 00:24:13,042
THERE'S A WEBSITE ?

422
00:24:13,042 --> 00:24:14,041
OH, YES.

423
00:24:14,041 --> 00:24:15,625
THERE'S A FAN CLUB.

424
00:24:15,625 --> 00:24:18,167
YEAH, THOSE
LONELY LITTLE GIRLS

425
00:24:18,167 --> 00:24:19,709
DESPERATE FOR
SOMETHING TO EMULATE

426
00:24:19,709 --> 00:24:21,166
BECAUSE APPARENTLY
THEY'RE NOT ORIGINAL ENOUGH

427
00:24:21,166 --> 00:24:23,542
TO COME UP WITH
ANYTHING ON THEIR OWN.

428
00:24:23,542 --> 00:24:25,667
THAT'S WHAT
I LIKE TO SEE,

429
00:24:25,667 --> 00:24:27,166
DRINKING BEFORE
SUNDOWN.

430
00:24:38,375 --> 00:24:39,917
HI, I'M BILLY.

431
00:24:39,917 --> 00:24:43,126
I'M CLAIRE.

432
00:24:43,126 --> 00:24:45,209
HOW DO YOU
KNOW MY SISTER ?

433
00:24:45,209 --> 00:24:48,333
THROUGH MY BROTHER,
NATE, THEY'RE DATING.

434
00:24:48,333 --> 00:24:51,126
OH, YEAH,
DATING ?

435
00:24:51,126 --> 00:24:52,250
LIKE WHAT,
GOING STEADY ?

436
00:24:52,250 --> 00:24:54,792
HE GIVE HER
HIS I.D. BRACELET ?

437
00:24:54,792 --> 00:24:57,542
DID SHE CARVE HIS
INITIALS IN HER ARMS

438
00:24:57,542 --> 00:24:59,125
SO, THEY'D BE
THERE FOREVER ?

439
00:25:02,208 --> 00:25:03,500
YO, BREN...

440
00:25:03,500 --> 00:25:05,917
YOU SHOULD'VE SEEN ME
OUT ON THE OCEAN TODAY.

441
00:25:05,917 --> 00:25:09,834
ALL THOSE VENICE DICKS TAKING
THEMSELVES SO SERIOUSLY.

442
00:25:13,500 --> 00:25:14,875
YOU SURF ?

443
00:25:14,875 --> 00:25:16,750
ME, DO I LOOK
LIKE I SURF ?

444
00:25:16,750 --> 00:25:18,083
DO I ?

445
00:25:18,083 --> 00:25:19,500
UH-OH.

446
00:25:20,000 --> 00:25:23,126
YOU'LL FREEZE YOUR ASS OFF
THIS TIME OF YEAR
WEARING THAT THING.

447
00:25:23,126 --> 00:25:24,834
SO, IT'S MY ASS.

448
00:25:24,834 --> 00:25:29,625
OH, FINE, YOU WANT TO GET
PNEUMONIA AGAIN GO RIGHT AHEAD.

449
00:25:31,125 --> 00:25:32,959
CLAIRE, I SHOULD
TAKE YOU HOME,

450
00:25:32,959 --> 00:25:34,208
I GOT STUFF TO DO.

451
00:25:34,208 --> 00:25:35,166
THAT'S ALRIGHT,
I'LL TAKE HER.

452
00:25:35,166 --> 00:25:36,875
GREAT.

453
00:25:36,875 --> 00:25:39,792
NO, I'VE GOT TIME,
WE JUST NEED TO GO RIGHT NOW.

454
00:25:39,792 --> 00:25:42,875
WELL, IF YOU HAVE STUFF TO DO,
DON'T WORRY ABOUT IT.

455
00:25:42,875 --> 00:25:44,458
YEAH, DO YOUR STUFF.

456
00:25:44,458 --> 00:25:47,208
I JUST HAVE TO
TAKE A SHOWER.

457
00:26:01,750 --> 00:26:04,458
SO, I'M WALKING
ALONG ONE DAY

458
00:26:04,458 --> 00:26:07,041
AND THIS ASSHOLE STOPS ME
AND ASKS ME IF I'M ALRIGHT.

459
00:26:07,041 --> 00:26:08,750
HE SAYS
I GOT A LOOK.

460
00:26:08,750 --> 00:26:12,209
HE'D SEEN A MAN WITH
THAT SAME LOOK ONCE,

461
00:26:12,209 --> 00:26:13,875
AND HAD IGNORED IT.

462
00:26:13,875 --> 00:26:18,583
AND THAT MAN HAD JUMPED
OUT A NINE-STORY WINDOW.

463
00:26:18,583 --> 00:26:21,083
( laughing )

464
00:26:23,583 --> 00:26:26,750
YOU KNOW THE RECONSTRUCTION
INVOLVED IN A DEATH LIKE THAT ?

465
00:26:28,834 --> 00:26:31,417
THIS BUSINESS GETS
UNDER YOUR SKIN.

466
00:26:31,417 --> 00:26:33,084
IT'S LIKE
A FUCKING VIRUS.

467
00:26:33,084 --> 00:26:35,458
YOU CAN EVEN SEE IT
ON YOUR FACE.

468
00:26:35,458 --> 00:26:37,500
SMELL IT ON YOU.

469
00:26:37,500 --> 00:26:39,917
WHAT THE HELL
IS THIS PLACE ?

470
00:26:39,917 --> 00:26:41,667
THIS MUSIC ?

471
00:26:41,667 --> 00:26:45,041
SINCE WHEN DO YOU LISTEN
TO "THE CLASSICS FOUR" ?

472
00:26:46,583 --> 00:26:48,709
WHAT THE HELL
DID YOU DO HERE ?

473
00:26:48,709 --> 00:26:49,875
WHO THE HELL
ARE YOU ?

474
00:26:49,875 --> 00:26:51,126
SO MANY QUESTIONS.

475
00:26:51,126 --> 00:26:53,125
WHY COULDN'T YOU ASK THEM
WHILE I WAS STILL ALIVE ?

476
00:26:55,792 --> 00:26:59,209
IT'S OKAY, I COULDN'T HAVE
ANSWERED MOST OF THEM ANYWAY...

477
00:26:59,209 --> 00:27:01,709
UNLIKE NOW, NOW,
I'M A FUCKING PROPHET.

478
00:27:01,709 --> 00:27:03,625
RIGHT.

479
00:27:03,625 --> 00:27:05,417
YOU THINK I'M KIDDING,
BUDDY BOY ?

480
00:27:10,208 --> 00:27:12,458
THAT'S ONE OF THE PERKS
OF BEING DEAD.

481
00:27:12,458 --> 00:27:14,709
YOU KNOW WHAT HAPPENS
AFTER YOU DIE.

482
00:27:14,709 --> 00:27:18,375
AND  YOU KNOW
THE MEANING OF LIFE.

483
00:27:21,084 --> 00:27:22,875
THAT SEEMS
FAIRLY USELESS.

484
00:27:22,875 --> 00:27:24,250
YEAH, I KNOW.

485
00:27:24,250 --> 00:27:26,875
LIFE IS WASTED
ON THE LIVING.

486
00:27:32,042 --> 00:27:33,750
YOU COULD'VE TOLD ME
YOU WERE PROUD OF ME.

487
00:27:33,750 --> 00:27:35,333
YOU WERE NEVER AROUND
FOR ME TO TELL.

488
00:27:35,333 --> 00:27:39,583
WHICH IS EXACTLY WHAT
I WAS PROUD OF YOU FOR.

489
00:27:41,959 --> 00:27:44,166
THEREIN LIES
YOUR CATCH-22.

490
00:27:52,709 --> 00:27:55,041
SO, WHAT'S THE MEANING
OF LIFE ?

491
00:27:55,041 --> 00:27:57,333
YOU REALLY
WANT TO KNOW ?

492
00:27:57,333 --> 00:27:59,542
I DON'T KNOW.

493
00:27:59,542 --> 00:28:02,959
WILL IT FUCK ME UP
IF I DO ?

494
00:28:02,959 --> 00:28:05,500
( whispering )

495
00:28:52,250 --> 00:28:54,792
DAVID, YOU MAKE SUCH
A HANDSOME DEACON.

496
00:28:54,792 --> 00:28:56,667
ALL THOSE
OLD STIFFS.

497
00:28:56,667 --> 00:28:59,042
FINALLY A DOSE OF VIAGRA
TO THE PLACE.

498
00:28:59,042 --> 00:29:02,041
OH, I DON'T MEAN THAT LITERALLY,
NOT LIKE YOU'D NEED IT.

499
00:29:02,041 --> 00:29:04,001
AH, THANK YOU, TRACY.

500
00:29:04,001 --> 00:29:05,959
SO...

501
00:29:05,959 --> 00:29:08,041
NO FIANCEE, HUH ?

502
00:29:08,041 --> 00:29:10,166
UH, NO, NO,
THAT'S OVER.

503
00:29:10,166 --> 00:29:14,167
BUT SHE BROKE MY HEART
AND I'M JUST NOT READY

504
00:29:14,167 --> 00:29:16,792
OR INTERESTED IN ANY SORT
OF RELATIONSHIP NOW.

505
00:29:16,792 --> 00:29:19,167
OH, COME ON,
ANY RELATIONSHIP ?

506
00:29:19,167 --> 00:29:20,291
I'M JUST NOT READY

507
00:29:20,291 --> 00:29:23,209
AND I DOUBT THAT I WILL BE
FOR QUITE SOME TIME.

508
00:29:23,209 --> 00:29:26,583
WELL, WHAT IF CINDY CRAWFORD
WERE TO WALK UP TO YOU AND SAY,

509
00:29:26,583 --> 00:29:30,167
"JUST USE ME FOR SEX" ?

510
00:29:30,167 --> 00:29:31,709
I WOULD SAY NO.

511
00:29:31,709 --> 00:29:33,834
LIAR.

512
00:29:41,042 --> 00:29:46,458
IS IT SO WRONG TO WANT
A LITTLE HUMAN CONTACT ?

513
00:29:46,458 --> 00:29:49,500
YOU'RE LONELY TOO.

514
00:29:49,500 --> 00:29:50,959
I CAN TELL.

515
00:29:50,959 --> 00:29:53,042
FOR CHRISSAKE,
TRACY.

516
00:29:53,042 --> 00:29:55,458
WHAT DOES
IT TAKE ?

517
00:29:55,458 --> 00:29:57,167
NO.

518
00:29:57,167 --> 00:30:00,083
WELL, YOU DON'T HAVE TO
BE SO MEAN ABOUT IT.

519
00:30:00,083 --> 00:30:01,750
APPARENTLY I DO.

520
00:30:01,750 --> 00:30:03,083
LOOK, I COME HERE TO
FEED THESE PEOPLE

521
00:30:03,083 --> 00:30:04,959
BECAUSE I DON'T WANT
TO TALK TO ANYBODY.

522
00:30:04,959 --> 00:30:07,000
DO US BOTH A FAVOR,
GO TO A BAR,

523
00:30:07,000 --> 00:30:09,875
PICK SOMEBODY UP.

524
00:30:20,166 --> 00:30:22,458
NO, WE JUST MET.

525
00:30:22,458 --> 00:30:24,041
I KNOW,
I'M SORRY.

526
00:30:24,041 --> 00:30:25,542
I'M JUST SO
TURNED ON BY YOU.

527
00:30:25,542 --> 00:30:27,625
SHUT UP.

528
00:30:32,125 --> 00:30:34,041
I HAVE TO GO HOME.

529
00:30:34,041 --> 00:30:35,291
HEY...

530
00:30:35,291 --> 00:30:38,542
I WANT TO
SEE YOU AGAIN.

531
00:30:38,542 --> 00:30:40,041
GOOD.

532
00:30:40,041 --> 00:30:43,625
BUT I'M NOT SOME SKANK
FOR YOU TO FUCK.

533
00:30:43,625 --> 00:30:47,001
IF THAT'S WHAT
YOU'RE INTO,

534
00:30:47,001 --> 00:30:48,667
JUST GO AND FIND THAT
SOMEWHERE ELSE.

535
00:30:48,667 --> 00:30:50,834
THAT'S NOT WHAT
I'M INTO, CLAIRE.

536
00:30:50,834 --> 00:30:53,042
I SWEAR.

537
00:30:55,458 --> 00:30:58,001
IF YOU'RE LYING, I...

538
00:30:58,001 --> 00:31:00,875
SWEAR TO GOD,
I WILL KILL YOU.

539
00:31:00,875 --> 00:31:05,041
I WILL KICK YOUR ASS.

540
00:31:05,041 --> 00:31:08,001
YOU DO NOT WANT
TO MESS WITH ME.

541
00:31:54,375 --> 00:31:56,042
THAT AIN'T HER.

542
00:31:56,042 --> 00:31:57,583
EXCUSE ME ?

543
00:31:57,583 --> 00:32:00,042
THAT AIN'T MY WIFE,
THAT AIN'T MY HATTIE.

544
00:32:00,042 --> 00:32:01,792
WHAT'D YOU DO
WITH MY HATTIE ?

545
00:32:04,209 --> 00:32:05,166
MR. JONES,
WITH ALL DUE RESPECT--

546
00:32:05,166 --> 00:32:07,792
I DON'T WANT YOUR RESPECT,
I WANT MY WIFE.

547
00:32:07,792 --> 00:32:11,333
SIR, THAT IS
YOUR WIFE.

548
00:32:14,917 --> 00:32:16,041
YOU MARRIED ?

549
00:32:16,041 --> 00:32:17,417
YES, SIR.

550
00:32:17,417 --> 00:32:20,126
SHE ALL YOUNG
AND PRETTY

551
00:32:20,126 --> 00:32:22,792
AND KNOW HOW TO
TREAT YOU RIGHT ?

552
00:32:22,792 --> 00:32:25,333
YES, SIR.

553
00:32:28,333 --> 00:32:30,333
YOU CAN'T BELIEVE
HOW LUCKY YOU ARE.

554
00:32:30,333 --> 00:32:32,417
HOW LIFE CAN BE SO GOOD
TO YOU, RIGHT ?

555
00:32:32,417 --> 00:32:37,042
SHE GONNA
TURN TO THAT.

556
00:32:39,083 --> 00:32:41,291
WE ALL DO.

557
00:32:41,291 --> 00:32:45,333
WELL, DON'T THAT
PISS YOU OFF, BOY ?

558
00:32:47,041 --> 00:32:48,959
NOT YET.

559
00:32:48,959 --> 00:32:51,583
HE USED THIS
HOW LONG ?

560
00:32:51,583 --> 00:32:53,291
SEVEN YEARS.

561
00:32:54,625 --> 00:32:58,209
IT'S WEIRD HOW YOU KEEP
SHOWING ME ROOMS
PEOPLE USED TO LIVE IN.

562
00:33:00,126 --> 00:33:01,917
I JUST THINK IT'S
SO FUCKING WEIRD

563
00:33:01,917 --> 00:33:04,167
HE'D SIT IN THIS SAD LITTLE ROOM
DOING GOD KNOWS WHAT.

564
00:33:04,167 --> 00:33:07,875
WHY DOES IT
HAVE TO BE SAD ?

565
00:33:07,875 --> 00:33:10,500
LOOK AROUND.

566
00:33:12,291 --> 00:33:14,792
I THINK IT'S
FASCINATING.

567
00:33:14,792 --> 00:33:16,208
REALLY, WHY ?

568
00:33:16,208 --> 00:33:18,792
IT'S SUCH A MYSTERY,
YOU KNOW ?

569
00:33:18,792 --> 00:33:22,000
YOU'LL NEVER KNOW
WHAT WENT ON HERE.

570
00:33:22,000 --> 00:33:24,001
THAT'S EXACTLY WHAT'S
DRIVING ME CRAZY.

571
00:33:24,001 --> 00:33:26,333
SO, WHAT IF
YOU DID KNOW ?

572
00:33:26,333 --> 00:33:28,417
HAD IT ALL
EXPLAINED TO YOU.

573
00:33:28,417 --> 00:33:30,917
I BET IT WOULDN'T BE NEARLY
AS INTERESTING OR FUN.

574
00:33:30,917 --> 00:33:33,667
YOUR FATHER WOULD BE
A LOT MORE BORING.

575
00:33:33,667 --> 00:33:35,167
ENJOY THIS.

576
00:33:35,167 --> 00:33:37,126
COME ON, DON'T YOU
PICK UP ON SOMETHING ?

577
00:33:37,126 --> 00:33:40,500
I THOUGHT THINGS
LEFT MARKS IN PEOPLE,

578
00:33:40,500 --> 00:33:42,000
IN PLACES,
IN TIME.

579
00:33:42,000 --> 00:33:44,417
WHAT, YOU THINK
I'M A WITCH ?

580
00:33:44,417 --> 00:33:49,209
YOU REALLY DON'T GET ANY KIND OF
VIBE FROM THIS PLACE AT ALL ?

581
00:33:53,417 --> 00:33:55,792
YOU WANT TO KNOW
WHAT I THINK ?

582
00:33:57,875 --> 00:34:01,167
I THINK YOUR FATHER

583
00:34:01,167 --> 00:34:03,375
WANTED SOMEPLACE

584
00:34:03,375 --> 00:34:06,583
THAT WAS JUST HIS
AND NOBODY ELSE'S.

585
00:34:11,750 --> 00:34:14,417
NATE, IF YOU DIDN'T KNOW HIM
WHEN HE WAS ALIVE,

586
00:34:14,417 --> 00:34:15,500
YOU NEVER WILL.

587
00:34:17,625 --> 00:34:19,667
I DOT WANT TO BE SOMEBODY
WHO, WHEN I DIE,

588
00:34:19,667 --> 00:34:21,209
NOBODY KNOWS
WHO I WAS.

589
00:34:21,209 --> 00:34:24,084
SO, DON'T BE.

590
00:34:30,125 --> 00:34:32,500
HOW YOU DOING,
MR. JONES ?

591
00:34:32,500 --> 00:34:35,001
I'M SITTING HERE HOLDING
MY DEAD WIFE'S HAND.

592
00:34:35,001 --> 00:34:37,291
HOW DO YOU THINK
I'M DOING ?

593
00:34:37,291 --> 00:34:41,209
WELL, YOU LET ME KNOW
IF YOU NEED ANYTHING.

594
00:34:42,208 --> 00:34:44,125
OH, HELLO.

595
00:34:44,125 --> 00:34:46,126
FOR JONES.

596
00:34:46,126 --> 00:34:49,126
MR. JONES, SEE
THE BEAUTIFUL FLOWERS

597
00:34:49,126 --> 00:34:51,458
FOR YOUR WIFE'S
VIEWING TOMORROW ?

598
00:34:51,458 --> 00:34:53,375
I DON'T KNOW WHY
YOU SO EXCITED.

599
00:34:53,375 --> 00:34:56,125
THEY JUST GOING TO
SHRIVEL UP AND DIE.

600
00:34:58,000 --> 00:34:59,291
WELL, THANK YOU.

601
00:35:03,291 --> 00:35:05,667
I'LL SEE YOU OUT.

602
00:35:14,125 --> 00:35:15,917
I DON'T KNOW WHAT YOU
THINK YOU'RE DOING,

603
00:35:15,917 --> 00:35:18,291
BUT I'M GOING TO HAVE TO ASK
MY SONS TO ORDER FLOWERS

604
00:35:18,291 --> 00:35:21,001
FROM ANOTHER FLORIST IF
THIS BEHAVIOR CONTINUES.

605
00:35:21,001 --> 00:35:22,458
WHICH BEHAVIOR ?

606
00:35:22,458 --> 00:35:24,125
THIS IS OUR PLACE
OF BUSINESS.

607
00:35:24,125 --> 00:35:25,542
THERE ARE GRIEVING
PEOPLE HERE.

608
00:35:25,542 --> 00:35:28,750
I CAN'T HAVE YOU SKULKING AROUND
WITH THAT LOOK IN YOUR EYE.

609
00:35:28,750 --> 00:35:30,625
WHAT LOOK ?

610
00:35:30,625 --> 00:35:33,167
THAT SEX LOOK.

611
00:35:33,167 --> 00:35:36,709
MAYBE YOU LIKE IT.

612
00:35:53,542 --> 00:35:57,209
LADY WEAR RED,
SHE MEAN BUSINESS.

613
00:35:58,625 --> 00:36:01,583
THIS IS JUST
WHAT WAS CLEAN.

614
00:36:01,583 --> 00:36:05,375
LADY, I CAN SEE IF IT FROM HERE,
AND I'M BLIND AND DEAF.

615
00:36:05,375 --> 00:36:08,208
YOU NEED TO GET
YOURSELF LAID.

616
00:36:33,458 --> 00:36:34,792
WHOA.

617
00:36:34,792 --> 00:36:36,083
TIME WARP.

618
00:36:36,083 --> 00:36:37,959
I TOLD YOU.

619
00:36:40,333 --> 00:36:41,709
IT'S PRETTY COZY...

620
00:36:41,709 --> 00:36:43,667
FOR A MORGUE.

621
00:36:43,667 --> 00:36:46,750
MUST BE WEIRD.

622
00:36:46,750 --> 00:36:48,542
YOU GET USED
TO IT.

623
00:36:50,417 --> 00:36:52,000
YOU EVER DONE IT WITH
ANYONE IN HERE ?

624
00:36:52,000 --> 00:36:55,083
YEAH, RIGHT, AND HAVE
MY MOTHER WALK IN ?

625
00:36:55,083 --> 00:36:56,417
NO.

626
00:36:56,417 --> 00:36:58,250
WOW, YOU LOOK GREAT.

627
00:36:58,250 --> 00:36:59,291
SHUT UP.

628
00:36:59,291 --> 00:37:01,125
COME ON, SEDUCE ME.

629
00:37:04,042 --> 00:37:05,125
THERE YOU GO.

630
00:37:05,125 --> 00:37:07,083
OH, YEAH,
THERE YOU GO.

631
00:37:07,083 --> 00:37:09,166
WOW, DON'T PRETEND LIKE YOU
HAVEN'T DONE THIS BEFORE.

632
00:37:09,166 --> 00:37:11,250
YOU ARE A NATURAL,
LOOK AT YOU.

633
00:37:11,250 --> 00:37:13,583
NO, NO, DON'T HIDE.

634
00:37:13,583 --> 00:37:14,500
WAIT.

635
00:37:15,709 --> 00:37:17,792
THIS IS
WHAT YOU DO ?

636
00:37:17,792 --> 00:37:19,291
YOU SHOOT MODELS
AND STUFF ?

637
00:37:19,291 --> 00:37:21,167
HARDLY.

638
00:37:23,250 --> 00:37:25,209
HURRY, IT'S ON
A TIMER.

639
00:37:28,000 --> 00:37:29,917
( camera clicking )

640
00:37:31,709 --> 00:37:34,625
SOMETHING TO
REMEMBER ME BY.

641
00:37:40,126 --> 00:37:42,084
HEY, WHAT DO YOU THINK ABOUT
BRENDA AND YOUR BROTHER ?

642
00:37:42,084 --> 00:37:43,875
THINK THEY HAVE
A CHANCE IN HELL ?

643
00:37:43,875 --> 00:37:46,126
I HOPE SO.

644
00:37:46,126 --> 00:37:48,084
SHE'S PRETTY
AMAZING.

645
00:37:48,084 --> 00:37:50,583
HE'D BE A REAL IDIOT
TO LET HER GO.

646
00:37:50,583 --> 00:37:53,083
THEN AGAIN, HE'S CAPABLE OF
BEING AN IDIOT SOMETIMES.

647
00:37:53,083 --> 00:37:55,125
YEAH, SO WHY IS SHE INTO HIM,
JUST HOT SEX ?

648
00:37:56,500 --> 00:37:59,125
I THINK HE'S REALLY
IN LOVE WITH HER.

649
00:38:01,500 --> 00:38:03,166
HOW COULD
HE NOT BE ?

650
00:38:03,166 --> 00:38:04,709
SHIT, I'M THIRSTY.

651
00:38:04,709 --> 00:38:06,209
YOU GOT ANY BEER ?

652
00:38:06,209 --> 00:38:08,166
NO, SORRY.

653
00:38:08,166 --> 00:38:11,209
THAT'S ALRIGHT, I SHOULD
BE HEADING OUT ANYWAY.

654
00:38:11,209 --> 00:38:12,959
UH, OKAY.

655
00:38:12,959 --> 00:38:14,458
I HAD FUN TODAY.

656
00:38:14,458 --> 00:38:15,875
ME, TOO.

657
00:38:15,875 --> 00:38:18,375
LET'S DO
THIS AGAIN.

658
00:38:18,375 --> 00:38:20,250
OKAY.

659
00:38:23,084 --> 00:38:24,875
( door closing )

660
00:38:28,375 --> 00:38:32,001
OKAY, MR. BOELSON
IS ALL JUICED UP.

661
00:38:32,001 --> 00:38:35,709
I'LL BE IN AT AROUND
SEVEN TOMORROW TO AIRBRUSH HIM,

662
00:38:35,709 --> 00:38:38,375
GET HIM READY
FOR THE VIEWING.

663
00:38:41,250 --> 00:38:43,125
UNLESS YOU WANT ME
TO DO HIM NOW.

664
00:38:43,125 --> 00:38:45,208
I WAS KINDA
HOPING TO GET HOME

665
00:38:45,208 --> 00:38:47,709
BEFORE VANESSA
PUT JULIO DOWN.

666
00:38:47,709 --> 00:38:49,042
THAT'S FINE.

667
00:38:49,042 --> 00:38:51,084
GOODNIGHT.

668
00:38:56,333 --> 00:38:57,583
YOU NEED ANY HELP ?

669
00:38:57,583 --> 00:38:59,625
NO, FEDERICO.

670
00:38:59,625 --> 00:39:01,875
GO HOME TO
YOUR FAMILY.

671
00:39:01,875 --> 00:39:04,375
DON'T WORK
TOO HARD.

672
00:39:37,209 --> 00:39:39,667
MR. JONES...

673
00:39:39,667 --> 00:39:42,083
TIME TO GO HOME.

674
00:39:43,125 --> 00:39:45,126
WHO THE HELL
ARE YOU ?

675
00:39:45,126 --> 00:39:46,084
I'M NATE.

676
00:39:46,084 --> 00:39:47,625
I WORK HERE.

677
00:39:53,333 --> 00:39:55,375
THAT'S MY WIFE
IN THAT BOX.

678
00:39:55,375 --> 00:39:56,417
I KNOW.

679
00:39:56,417 --> 00:39:59,333
I'M VERY SORRY.

680
00:39:59,333 --> 00:40:02,333
56 YEARS I SPENT SLEEPING
IN THE SAME BED WITH THAT WOMAN.

681
00:40:05,000 --> 00:40:09,875
56 YEARS LISTENING TO HER
TALK ABOUT THE SAME SHIT

682
00:40:09,875 --> 00:40:13,042
DAY IN, DAY OUT.

683
00:40:13,042 --> 00:40:15,000
IT'S LATE, MAYBE I SHOULD
DRIVE YOU HOME.

684
00:40:15,000 --> 00:40:18,041
SHUT THE FUCK UP, BOY,
AND LET AN OLD MAN SPEAK.

685
00:40:18,041 --> 00:40:20,126
OKAY.

686
00:40:25,001 --> 00:40:28,250
SHE CHASED ME ACROSS
THE FRONT YARD
WITH A STEAK KNIFE ONCE,

687
00:40:28,250 --> 00:40:30,041
TRIED TO
CUT MY ASS.

688
00:40:30,041 --> 00:40:33,041
WE SPENT CLOSE
TO A YEAR APART.

689
00:40:33,041 --> 00:40:37,041
THAT TIME LIKE
A HOLE IN ME NOW.

690
00:40:40,792 --> 00:40:44,667
SHE THE ONLY ONE
WHO REALLY KNEW ME.

691
00:40:48,375 --> 00:40:50,417
YOUR WIFE WILL
ALWAYS BE WITH YOU,

692
00:40:50,417 --> 00:40:52,208
IN YOUR MEMORIES.

693
00:40:52,208 --> 00:40:55,209
WHEN YOU LOVE
SOMEBODY THAT MUCH,
THEY NEVER REALLY--

694
00:40:55,209 --> 00:40:57,083
YOU SELL THAT SHIT TO
SOMEBODY WHO BUYING IT

695
00:40:57,083 --> 00:40:58,667
'CAUSE I AIN'T.

696
00:40:58,667 --> 00:41:01,125
YOU DON'T KNOW
NOTHING ABOUT LOVE.

697
00:41:01,125 --> 00:41:04,083
SOME PRETTY LITTLE THING
CATCHES YOUR EYE

698
00:41:04,083 --> 00:41:06,709
AND THE NEXT THING YOU KNOW,
IT'S BEEN 56 YEARS

699
00:41:06,709 --> 00:41:10,083
AND YOU'LL SHIT ALL OVER
YOURSELF IN A MOVIE THEATER

700
00:41:10,083 --> 00:41:12,583
AND SHE THE ONLY ONE
TO HELP YOU CLEAN IT UP.

701
00:41:12,583 --> 00:41:15,001
TH'S LOVE.

702
00:41:23,166 --> 00:41:25,625
YOU DON'T
KNOW NOTHING.

703
00:41:30,709 --> 00:41:32,126
I WON'T ARGUE THAT.

704
00:41:33,959 --> 00:41:35,917
CAN I GET YOU
ANYTHING TO DRINK ?

705
00:41:35,917 --> 00:41:38,166
I HAVE BEER, RED WINE,
A LITTLE VODKA.

706
00:41:38,166 --> 00:41:40,333
JUST WATER,
THANKS.

707
00:41:40,333 --> 00:41:43,166
I DON'T USUALLY GO OUT
ON A SCHOOL NIGHT,

708
00:41:43,166 --> 00:41:45,917
BUT YOU KNOW HOW
IT IS SOMETIMES.

709
00:41:45,917 --> 00:41:47,125
YEAH.

710
00:41:51,084 --> 00:41:51,834
HERE YOU GO.

711
00:41:52,917 --> 00:41:54,166
MY EX.

712
00:41:54,166 --> 00:41:56,083
WE WERE TOGETHER
FOR NEARLY TWO YEARS

713
00:41:56,083 --> 00:41:58,417
AND THEN HE DUMPED ME
FOR A 22-YEAR-OLD STAND-IN

714
00:41:58,417 --> 00:42:00,542
HE MET ON LOCATION.

715
00:42:00,542 --> 00:42:03,208
I THINK THAT'S THE ONLY PICTURE
I HAD OF HIM I DIDN'T TEAR UP.

716
00:42:03,208 --> 00:42:06,625
IT'S FUNNY, YOU THINK
YOU KNOW SOMEBODY.

717
00:42:08,709 --> 00:42:11,084
I HEAR
HE'S IN A.A. NOW.

718
00:42:13,041 --> 00:42:15,875
SO, ARE YOU IN
THE BUSINESS ?

719
00:42:15,875 --> 00:42:17,458
AH, NO.

720
00:42:17,458 --> 00:42:19,083
NO, I'M A LAWYER.

721
00:42:19,083 --> 00:42:21,250
I'M FROM BOSTON.

722
00:42:21,250 --> 00:42:24,209
GOD, HOW REFRESHING.

723
00:42:24,750 --> 00:42:27,084
YOU TEND TO FORGET SOMETIMES
LIVING IN L.A.

724
00:42:27,084 --> 00:42:30,041
THAT THERE'S THIS WORLD OUTSIDE
THE ENTERTAINMENT INDUSTRY.

725
00:42:31,625 --> 00:42:32,917
THAT'S THE REAL WORLD.

726
00:42:35,167 --> 00:42:37,250
SO, WHAT DO YOU DO ?

727
00:42:37,250 --> 00:42:39,792
PRODUCTION ACCOUNTING,

728
00:42:39,792 --> 00:42:40,709
I TOLD YOU THAT.

729
00:42:40,709 --> 00:42:42,209
RIGHT, I'M SORRY.

730
00:42:42,209 --> 00:42:44,083
IT'S OKAY.

731
00:42:45,750 --> 00:42:48,042
SO, JIM...

732
00:42:51,083 --> 00:42:53,126
WHAT DO YOU
LIKE TO DO ?

733
00:42:59,667 --> 00:43:01,000
UM, CAN WE
SIT DOWN ?

734
00:43:01,000 --> 00:43:02,875
SURE.

735
00:43:07,333 --> 00:43:10,250
HAD A LITTLE TOO MUCH
TO DRINK THERE, JIM ?

736
00:43:14,417 --> 00:43:15,834
YOU OKAY ?

737
00:43:15,834 --> 00:43:17,001
YEAH.

738
00:43:53,667 --> 00:43:55,167
I WANT TO
APOLOGIZE

739
00:43:55,167 --> 00:43:57,000
FOR WHAT HAPPENED
YESTERDAY.

740
00:43:57,000 --> 00:43:59,042
IS OKAY.

741
00:43:59,042 --> 00:44:01,291
I SHOULD NEVER HAVE
LASHED OUT AT YOU LIKE THAT.

742
00:44:01,291 --> 00:44:02,709
IT'S JUST, I DON'T KNOW
WHAT'S WRONG WITH ME, I--

743
00:44:02,709 --> 00:44:04,084
SHH.

744
00:44:05,917 --> 00:44:08,709
I WAS HOLDING A SAUCE PAN
THE OTHER DAY

745
00:44:08,709 --> 00:44:12,250
AND ALL OF A SUDDEN
I REMEMBERED MAKING CREAMED CORN

746
00:44:12,250 --> 00:44:14,041
IN THAT PAN.

747
00:44:14,041 --> 00:44:16,333
SOME NIGHT WHEN IT
WAS RAINING OUTSIDE

748
00:44:16,333 --> 00:44:20,959
AND BOTH THE BOYS HAD COLDS
AND MY HUSBAND WAS ON A CALL,

749
00:44:20,959 --> 00:44:22,500
PICKING UP A BODY.

750
00:44:22,500 --> 00:44:24,625
AND THEN YESTERDAY I WAS
CLEANING OUT THE CABINETS

751
00:44:24,625 --> 00:44:28,209
AND I FOUND A JAR OF
BABY FOOD IN THE VERY BACK,

752
00:44:28,209 --> 00:44:32,209
STRAINED CARROTS FROM
WHEN CLAIRE WAS A BABY.

753
00:44:32,209 --> 00:44:36,875
THAT JAR HAD BEEN SITTING
THERE FOR OVER 15 YEARS.

754
00:44:38,084 --> 00:44:40,291
I AM SURROUNDED
BY THESE...

755
00:44:40,291 --> 00:44:42,125
THESE RELICS.

756
00:44:42,125 --> 00:44:44,583
OF A LIFE THAT
NO LONGER EXISTS.

757
00:45:02,125 --> 00:45:04,917
WE'RE HERE FOR
THE JONES' VIEWING.

758
00:45:04,917 --> 00:45:08,167
RIGHT THIS WAY,
PLEASE.

759
00:45:12,208 --> 00:45:14,042
( phone ringing )

760
00:45:15,041 --> 00:45:16,208
( Billy )
Yeah ?

761
00:45:16,208 --> 00:45:17,959
OH, SHIT, BILLY,
DID I WAKE YOU ?

762
00:45:17,959 --> 00:45:19,500
I'M SORRY, FUCK.

763
00:45:19,500 --> 00:45:21,083
Who is this ?

764
00:45:21,083 --> 00:45:22,750
IT'S CLAIRE.

765
00:45:24,500 --> 00:45:25,959
Who ?

766
00:45:25,959 --> 00:45:28,709
IT'S CLAIRE,
NATE'S SISTER.

767
00:45:31,001 --> 00:45:33,583
I JUST WANTED TO SEE IF
MAYBE YOU WANTED TO HANG OUT

768
00:45:33,583 --> 00:45:35,333
AFTER SCHOOL
AGAIN TODAY.

769
00:45:35,333 --> 00:45:37,458
Not really.

770
00:45:39,709 --> 00:45:41,834
C'MON, CLAIRE,
YOU'RE WHAT, 16 ?

771
00:45:41,834 --> 00:45:45,000
WHAT DO YOU THINK
I AM, A PEDOPHILE ?

772
00:46:11,667 --> 00:46:13,167
WELL ?

773
00:46:14,834 --> 00:46:17,083
I DON'T KNOW WHAT
YOU WANT ME TO SAY.

774
00:46:17,083 --> 00:46:19,875
I DON'T WANT YOU
TO SAY ANYTHING,

775
00:46:19,875 --> 00:46:21,250
I JUST THOUGHT
YOU SHOULD SEE IT.

776
00:46:23,625 --> 00:46:25,333
I'VE SEEN IT.

777
00:46:25,333 --> 00:46:28,167
GREAT, SO, DAD TRADED
A ROOM FOR A FUNERAL.

778
00:46:28,167 --> 00:46:29,709
NO WONDER WE NEVER
HAD ANY MONEY.

779
00:46:29,709 --> 00:46:31,959
DIDN'T DAD EVER
SAY ANYTHING TO YOU

780
00:46:31,959 --> 00:46:33,291
ABOUT THIS
PLACE AT ALL ?

781
00:46:33,291 --> 00:46:35,125
DAD AND I NEVER TALKED
ABOUT ANYTHING BUT WORK.

782
00:46:35,125 --> 00:46:39,250
THAT'S EXACTLY
THE RELATIONSHIP
YOU AND I HAVE.

783
00:46:40,834 --> 00:46:43,709
NATE, PEOPLE ARE ALLOWED
TO HAVE PRIVATE LIVES.

784
00:46:43,709 --> 00:46:46,208
SO, WHAT IF DAD
HAD A SECRET ROOM ?
I DON'T CARE.

785
00:46:46,208 --> 00:46:48,125
I DON'T CARE IF HE BROUGHT
WOMEN BACK HERE TO FUCK.

786
00:46:48,125 --> 00:46:50,458
I DON'T CARE IF HE BROUGHT
MEN BACK HERE TO FUCK.

787
00:46:53,000 --> 00:46:55,333
YOU THINK WE SHOULD
TELL MOM ABOUT IT ?

788
00:46:55,333 --> 00:46:57,209
SURE, WHY NOT ?

789
00:46:57,209 --> 00:46:59,792
YOU WON'T BE HAPPY UNTIL THIS
WHOLE FAMILY IS IN THERAPY.

790
00:46:59,792 --> 00:47:02,667
THAT'S...

791
00:47:02,667 --> 00:47:04,875
KIND OF A LEAP.

792
00:47:04,875 --> 00:47:07,959
DAVE, LOOK, I KNOW YOU'RE
PISSED OFF ABOUT A LOT OF SHIT,

793
00:47:07,959 --> 00:47:09,667
BUT I DIDN'T MAKE
ANY OF THAT SHIT HAPPEN.

794
00:47:09,667 --> 00:47:11,625
OH, RIGHT,
I ABANDONED YOU.

795
00:47:11,625 --> 00:47:12,542
WELL, YOU KNOW WHAT ?

796
00:47:12,542 --> 00:47:13,667
I'M NOT YOUR FATHER.

797
00:47:13,667 --> 00:47:15,291
I'M NOT THE ONE WHOSE
RESPONSIBILITY IT WAS

798
00:47:15,291 --> 00:47:16,458
NOT TO ABANDON YOU.

799
00:47:16,458 --> 00:47:17,792
SO, JUST GET
OVER IT, PLEASE.

800
00:47:17,792 --> 00:47:20,001
LIFE IS JUST
TOO FUCKIN' SHORT.

801
00:47:23,458 --> 00:47:26,166
WELL, THANK YOU, NATE,
I APPRECIATE YOUR HONESTY.

802
00:47:26,166 --> 00:47:29,083
WRAPPED AS IT WAS, IN SUCH
A BOUQUET OF CONDESCENSION.

803
00:47:29,083 --> 00:47:31,834
IF I WERE YOU,
I'D PACK THIS PLACE UP,

804
00:47:31,834 --> 00:47:34,042
BEFORE THEY START
CHARGING US RENT.

805
00:48:32,209 --> 00:48:34,375
QUITE A HOTTIE, HUH ?

806
00:48:34,375 --> 00:48:36,625
THIS IS MOM.

807
00:48:36,625 --> 00:48:39,917
YOU HAVE NO IDEA HOW BEAUTIFUL
SHE WAS, BUDDY BOY.

808
00:48:39,917 --> 00:48:44,167
I HAVE NO IDEA
WHO YOU WERE.

809
00:48:44,834 --> 00:48:46,667
I REALLY WASN'T
THAT INTERESTING.

810
00:48:46,667 --> 00:48:50,208
NO, I THINK YOU
PROBABLY WERE.

811
00:48:52,125 --> 00:48:55,375
I THINK YOU WERE THIS GREAT GUY
WHO WAS FUNNY AND WEIRD AND...

812
00:48:55,375 --> 00:48:57,917
HIGH.

813
00:49:00,166 --> 00:49:03,166
I WAS JUST ALWAYS SO AFRAID
OF EVERYTHING YOU DID...

814
00:49:03,166 --> 00:49:04,792
... DEATH.

815
00:49:09,001 --> 00:49:12,167
YOU KNOW, I MADE
THE DECISION TO
COME BACK HOME

816
00:49:12,167 --> 00:49:13,834
TO BECOME A FUCKING UNDERTAKER
BECAUSE I THOUGHT

817
00:49:13,834 --> 00:49:15,625
IT WAS SOMETHING
YOU BELIEVED IN.

818
00:49:15,625 --> 00:49:17,126
AND NOW, I FIND OUT
YOU THINK RUNNING AWAY

819
00:49:17,126 --> 00:49:18,291
IS THE BEST THING
I EVER DID ?

820
00:49:18,291 --> 00:49:20,041
MAYBE.

821
00:49:20,041 --> 00:49:23,250
JESUS CHRIST, I KEPT US
FROM SELLING TO KROEHNER.

822
00:49:24,834 --> 00:49:28,209
AND I'M TAKING
THE FUNERAL DIRECTORS'
LICENSE TEST NEXT MONTH.

823
00:49:28,209 --> 00:49:31,500
MAYBE I WAS
JUST COVERING UP

824
00:49:31,500 --> 00:49:34,375
FOR HOW EMBARRASSED
I WAS WHEN YOU LEFT.

825
00:49:35,500 --> 00:49:37,750
IS THAT WHY YOU LEFT
HALF THE BUSINESS TO ME ?

826
00:49:39,875 --> 00:49:41,917
TO GET BACK AT ME ?

827
00:49:41,917 --> 00:49:43,291
MAYBE.

828
00:49:43,291 --> 00:49:46,042
MAYBE I JUST WANTED TO SEE
IF YOU HAD THE BALLS
TO GO AGAINST ME.

829
00:49:46,042 --> 00:49:47,250
OR MAYBE I REALLY
WANTED YOU TO HAVE IT.

830
00:49:47,250 --> 00:49:49,542
YOU'LL NEVER KNOW.

831
00:49:49,542 --> 00:49:51,126
GODDAMNIT !

832
00:49:51,126 --> 00:49:53,001
WHEN ARE YOU GONNA
STOP FUCKING WITH ME ?!

833
00:49:53,001 --> 00:49:56,792
WHEN ARE YOU GONNA STOP
CARING WHAT I THOUGHT ?

834
00:49:57,500 --> 00:50:00,209
( imitating Nate )
"I NEVER KNEW MY FATHER."

835
00:50:00,209 --> 00:50:04,001
GET OVER IT,
PLEASE.

836
00:50:05,333 --> 00:50:08,126
LIFE IS JUST
TOO FUCKING SHORT.

837
00:50:18,250 --> 00:50:22,167
MY BROTHER IS A VERY
COMPLICATED MAN.

838
00:50:22,167 --> 00:50:24,709
AND VERY HIGH
MAINTENANCE.

839
00:50:24,709 --> 00:50:27,375
DON'T GET ME WRONG,
I LOVE HIM DEARLY,

840
00:50:27,375 --> 00:50:31,291
BUT I PITY THE WOMAN
HE ENDS UP WITH.

841
00:50:31,291 --> 00:50:34,166
SEE, THAT'S THE SAME THING
I'D SAY ABOUT MY BROTHER.

842
00:50:34,166 --> 00:50:36,834
NATE IS NOT EVEN
IN THE SAME LEAGUE.

843
00:50:36,834 --> 00:50:39,042
WAS I CRAZY  ?

844
00:50:39,042 --> 00:50:43,001
I MEAN, BILLY WAS
REALLY ACTING LIKE...

845
00:50:44,667 --> 00:50:46,167
DID YOU FUCK HIM ?

846
00:50:46,167 --> 00:50:48,417
NO.

847
00:50:48,417 --> 00:50:51,333
WELL, YOU DODGED
A BULLET THERE.

848
00:50:51,333 --> 00:50:54,458
IS EVERY MAN ALIVE
A TOTAL ASSHOLE ?

849
00:50:54,458 --> 00:50:56,542
AT SOME POINT
OR ANOTHER.

850
00:50:56,542 --> 00:50:59,042
THEN AGAIN
SO ARE WE.

851
00:50:59,042 --> 00:51:02,167
C'MON, WE GOTTA GO.

852
00:51:04,959 --> 00:51:06,667
I STILL CANNOT GET OVER
THE FACT THAT YOU ARE

853
00:51:06,667 --> 00:51:08,291
"CHARLOTTE
LIGHT AND DARK".

854
00:51:08,291 --> 00:51:10,458
YOU HAVE TO, BECAUSE
IT'S VERY IRRITATING.

855
00:51:18,167 --> 00:51:19,875
MR. JONES IS
STILL DOWNSTAIRS.

856
00:51:19,875 --> 00:51:21,834
I KNOW.

857
00:51:24,375 --> 00:51:26,709
THIS SILVER HAS BEEN IN
YOUR FATHER'S FAMILY

858
00:51:26,709 --> 00:51:28,126
FOR THREE GENERATIONS.

859
00:51:28,126 --> 00:51:30,125
I DON'T BELIEVE
I'VE EVER USED IT.

860
00:51:30,125 --> 00:51:34,126
I'M GOING TO PUT
AN AD IN THE PAPER
AND SEE IF I CAN SELL IT.

861
00:51:34,126 --> 00:51:38,542
MOM, I FOUND SOMETHING
YOU PROBABLY SHOULD HAVE.

862
00:51:54,083 --> 00:51:56,291
WHERE DID YOU
FIND THESE ?

863
00:51:56,291 --> 00:51:59,000
IN THE OFFICE,
AMONG DAD'S THINGS.

864
00:51:59,000 --> 00:52:02,500
LOOK AT WHAT
A CHILD I WAS.

865
00:52:07,041 --> 00:52:08,917
YOUR FATHER WAS
LEAVING FOR VIETNAM.

866
00:52:08,917 --> 00:52:12,084
HE VOLUNTEERED
AS A MEDIC.

867
00:52:12,084 --> 00:52:15,583
YOUR GRANDFATHER
WAS FURIOUS.

868
00:52:15,583 --> 00:52:19,000
YOU DON'T REMEMBER
YOUR GRANDFATHER, DO YOU ?

869
00:52:19,000 --> 00:52:21,126
NO.

870
00:52:22,542 --> 00:52:24,375
HE WAS A VERY
UNHAPPY MAN

871
00:52:24,375 --> 00:52:28,542
AND HE WANTED EVERYONE ELSE
TO BE UNHAPPY TOO.

872
00:52:30,834 --> 00:52:32,959
AND WE WERE ALL LIVING
IN THIS HOUSE.

873
00:52:35,875 --> 00:52:39,917
YOU WERE A BABY AND THERE
WAS NO PRIVACY SO...

874
00:52:39,917 --> 00:52:42,875
NATHANIEL AND I GOT
A ROOM AT A MOTEL.

875
00:52:46,417 --> 00:52:48,625
SOME SEEDY PLACE
IN THE VALLEY.

876
00:52:56,667 --> 00:52:59,041
AND WE MADE LOVE
LIKE MANIACS.

877
00:53:02,250 --> 00:53:04,583
LIKE IT WAS
THE LAST TIME.

878
00:53:09,209 --> 00:53:11,126
YOUR FATHER TOOK
THESE PICTURES,

879
00:53:11,126 --> 00:53:14,166
IN THAT DANK
LITTLE ROOM.

880
00:53:17,126 --> 00:53:20,250
TOLD ME HE KEPT THEM
IN HIS POCKET IN VIETNAM

881
00:53:20,250 --> 00:53:23,126
TO PROTECT HIM.

882
00:53:28,667 --> 00:53:31,583
IT WAS FRIGHTENING
HOW MUCH WE CHANGE.

883
00:53:39,834 --> 00:53:42,500
ARE YOU STAYING
FOR DINNER, DEAR ?

884
00:53:45,625 --> 00:53:46,834
YEAH.

885
00:53:52,750 --> 00:53:56,042
MR. JONES, YOU PROBABLY SHOULD
THINK ABOUT HEADING HOME.

886
00:53:56,042 --> 00:53:58,084
YOU'VE GOT A LONG DAY
AHEAD OF YOU TOMORROW

887
00:53:58,084 --> 00:53:59,125
WITH THE FUNERAL...

888
00:53:59,625 --> 00:54:01,041
MR. JONES ?

889
00:54:02,583 --> 00:54:04,084
MR. JONES.

890
00:54:10,458 --> 00:54:12,000
MR. JONES ?

891
00:54:14,917 --> 00:54:17,083
AW, SHIT.

892
00:54:29,166 --> 00:54:35,250
♪ WHERE THE CARS
GO BY ♪

893
00:54:38,208 --> 00:54:43,458
♪ ALL THE DAY
AND NIGHT ♪

894
00:54:56,583 --> 00:55:01,166
♪ WHAT'S SO
WRONG TONIGHT ♪

895
00:55:03,792 --> 00:55:06,084
♪ PRAY FOR ME ♪

896
00:55:08,166 --> 00:55:12,542
♪ PRAYING FOR THE LIGHT ♪

897
00:55:17,208 --> 00:55:21,000
♪ BABY, BABY ♪

898
00:55:23,709 --> 00:55:28,001
♪ LET'S GO OUT TONIGHT ♪

899
00:55:32,291 --> 00:55:38,126
♪ WHERE THE LIGHTS
WON'T SHINE ♪

900
00:55:40,125 --> 00:55:44,959
♪ I CAN ONLY WONDER ♪

901
00:55:50,500 --> 00:55:54,084
♪ BE MINE, ALL MINE ♪

902
00:55:58,917 --> 00:56:03,792
♪ BABY,
I'LL BE GOOD ♪

903
00:56:32,542 --> 00:56:35,583
Captions Copyright 2001
HOME BOX OFFICE

904
00:56:35,583 --> 00:56:38,834
A Division of TIME WARNER
ENTERTAINMENT COMPANY, L.P.

905
00:56:39,792 --> 00:56:42,625
Captioned by
HBO COMMUNICATIONS CENTER

